"EXPERIENCING THIS WORK IS TRULY A SPECIAL EXPERIENCE. IN A DARK ROOM, PROJECTED LIGHTS AND PORTALS SWOOP AROUND YOU. EACH DOT IS A WORLD WITHIN A WORLD, THE PATTERNS THEY ASSEMBLE AND FORM IN SUCH A LIQUID MANNER MAKES ME THINK IF EACH ONE OF THESE CIRCLES WAS A LIGHT, ATTACHED TO A PERSON - AND THIS WAS ACTUALLY MADE IN REAL TIME. AS EACH LIGHT GATHERS, THEN ABSTRACTS, THE PEOPLE ARE CHOREOGRAPHING EACH INTERACTION. EACH LIGHT AND IT’S SURROUNDS, BECOMES A STORY. IT IS A VIBRANT WORK THAT MESMERIZES.

ALSO TO EXPERIENCE THIS WORK IN KNOWING THAT BOYD TRANSLATES THIS STYLE INTO PHYSICAL INSTALLATIONS. 1000’S OF DIFFERING SIZE MIRRORS ARE GLUED TO BLACK WALLS, LIKE STILL FRAMES OF THE LIFE THEY REFLECT. PAINSTAKING LOOK AT HOW BEAUTIFUL STORIES CAN BE, HOW INTENSE THEY CAN HAPPEN" — D. LOBB

“WATCHING THIS WORK ON LOOP, EACH TIME SEEING NEW TRACES OF PIXELS LINGERING, LAGGING. IT’S A JOYOUS ANIMATION, 3D CHARACTERS PREDATING FORTNITE DANCES. IN A WORLD OF AVATARS, DATA TRAILS, CYBERWAR AND REAL WAR; CADENCE III SEEMS TO SPEAK SOFTLY BUT OBNOXIOUSLY HAVING FUN AND MAKING FUN OF” — D. LOBB.

“PAILTHORPE TRANSFIXES HIS AUDIENCE THROUGH THIS MECHANIC CONGLOMERATE OF PLAYFUL MOVEMENT THAT CREATES A KALEIDOSCOPE OF HUMAN LIMBS” — M. NANGLE.